Monday, December 15, 2014

Five Fixable Writing Mistakes


Writing isn’t an easy job. While you’re typing away at your manuscript, your mind is balancing storyline, character development, dialogue and more. For many authors, the technical aspects of writing are on the backburner. There’s nothing wrong with having less than precise writing in your manuscript. In fact, many authors purposefully disregard proper spelling and grammar to focus on content. Their editing process starts later, when authors send their manuscripts off to a trusted friend or use editing services to perfect their work.

Before another pair of eyes reads through your manuscript, proofread it yourself for technical writing errors. Specifically, there are five mistakes almost every writer makes that you can fix before your book hits the editing process.

Clichés
Old habits may die hard, but clichés will clutter your writing. Clichés are dog tired; readers will look over them and miss the good content underneath. Try starting your own clichés. Create fresh similes, metaphors and idioms.

One way clichés may fit into fiction writing is through character development. A dated, un-hip character may talk about the “good old days” or “wet their whistle” instead of taking a drink. However, it’s good practice to exclude clichés when you can. Better safe than sorry!
Word repetition

Have you read a book and noticed the author repeated a certain word throughout? The characters always “shudder” when they have a bad thought or the word “however” is on every page. Many authors have a crutch word they consistently use. Check for your own crutch word and use a thesaurus to diversify your manuscript’s vocabulary.

Too many adverbs
You have probably heard to “show, not tell.” Cutting out adverbs can help you do this. Adverbs like quickly, very, and incredibly can be written out with more visual descriptions put in their place. Instead of writing “Incredibly, the runner ran very quickly,” write, “The runner was a speeding bullet. Her feet pounded the ground and propelled her forward as she sped ahead of the others.”

Commas
When concentrating on developing your story and perfecting your message, your commas might get misplaced. While proofreading, ask yourself these questions:

Do you have commas inside quotation marks? For example, this is incorrect: “Hello” she replied. This is correct: “Hello,” she replied.

Do you separate modifying clauses with commas? For example, this is incorrect: Sally a very polite girl held the door open. This is correct: Sally, a very polite girl, held the door open.

Are introductory clauses separated by a comma? For example, this is incorrect: If she wants ice cream she should ask her brother. This is correct: If she wants ice cream, she should ask her brother.
Are you consistent with how you use commas in lists? For example, all lists could have a comma after the last word before “and,” like this: I like chocolate, vanilla, and strawberry. All lists could also go without the comma after the last word before “and,” like this: I like chocolate, vanilla and strawberry. Both are correct as long as they’re used consistently.

Technical grammar problems
Comma mistakes are common, but there are other grammar errors authors make when writing their manuscripts. Here are a few grammar mistakes that come up frequently:

Vague pronouns make writing easier, but can be confusing to readers. When proofreading, make sure you can attribute every pronoun to the noun it describes.

Its/It’s, than/then are commonly confused because most word processors can’t catch them if they’re used in the wrong context. Even humans have problems catching these errors because the words sound and look similar. Be careful while proofreading to be sure they’re correct. If you need a quick refresher, “Its” shows possession and “It’s” is the contracted form of “it is.” “Then” shows a progression, while “than” is used for comparisons.

Sentence fragments and run-ons can also be hard to catch. Make sure each sentence has a subject and verb, but doesn’t use a contraction after contraction to strand sentences together.

Don’t be discouraged if you see errors in your book’s writing. Remember, the most important reason why you’re writing a book is to spread a message. Proofreading, however, needs to happen once your story is written. Your message is a gift, and your writing is the packaging. Clear writing allows readers to understand your message fully. Fixing these mistakes yourself is not only easy, but it will speed up the editorial process and strengthen your story.

Monday, December 8, 2014

How to Publish a Book: An Overview of Traditional & Self-Publishing


For any writer who aspires to be an author, knowing how to publish a book is essential. It’s a common scenario — you have an idea for a book but you have no way of knowing how to translate that idea from your computer screen into print or online.

Now, more than at any other time in history, there are more opportunities and possibilities to write, share, and publish a story — and interact with an audience. Whether you are after the traditional publishing experience, complete with an agent, editor, and publisher, or want to self publish your book, it’s completely within your grasp. You decide what works best for you and your work.

We’re going to guide you through the book publishing process and give you the resources to choose which publishing option fits your work best. But first, you should know about traditional and self-publishing.

Traditional Publishing


Traditional book publishing is when a publisher offers the author a contract and, in turn, prints, publishes, and sells your book through booksellers and other retailers. The publisher essentially buys the right to publish your book and pays you royalties from the sales.

If you want to publish a book traditionally, most writers need to find an agent. In order to find one, you must identify the right category for your writing. If you are or want to be a non-fiction writer, you will need to submit a book proposal with three sample chapters, and a synopsis of each chapter. If you are writing fiction, you must have your manuscript complete.

Once these steps are accomplished, you’re ready to write a query letter. This letter is what you will send to potential agents. It’s important to mention the different parts that make up a query letter. You should be sure to mention the synopsis of your book, the chapter summary, the market or audience your book is meant for, and a description of yourself.

Self-Publishing


how to self publish a book| self publishing
There are a variety of different publishing models, including print-on-demand, vanity, subsidy, and self-publishing.

Print-on-demand (POD) publishers accept all submissions &emdash; anyone who is willing to pay is published. POD publishing uses printing technology to produce books one at a time through a company at a cost-effective price. The books are printed individually as orders come in. Therefore, you can adjust the book’s supply to meet the reader’s demand.

POD cuts back on costs and eliminates the need for space to store unsold copies. Typically editing, proofreading, or marketing is offered at an additional cost and you make money off of royalties from sales. In terms of rights, some can go to the POD publisher for a set amount of time but this varies depending on the publisher.

A vanity publisher, also known as a book manufacturer, publishes any anyone’s work provided they have the money to pay for their services. The manufacturer prints and binds a book on the author’s dime and does not offer editing, marketing, or promotional assistance. However, the author owns the printed books and retains all profit from sales.

A subsidy publisher is similar to a vanity publisher in that the author has to pay for the printing and binding process of the book. However, this type of publisher contributes a portion of the cost to editing, distribution, warehousing, and marketing. In this case, the publisher owns the books until they are sold and the author makes money from royalties.

Self-publishing requires the author to invest their own money to produce, market, distribute, and warehouse the book. While this can be a huge time commitment, the process can be more cost-effective than vanity or subsidy publishing.

What’s the difference between self-publishing and traditional publishing?


In traditional publishing, the publisher handles the marketing, distribution, and warehousing for your book. This is the traditional method to book publishing because there is no expense to the author—mainstream publishers make a profit from the book’s sales.

Whereas in self-publishing, depending on which type of publisher or platform you choose, the majority of the work falls on your shoulders and you pay for all expenses. The main advantages of self-publishing are that you control when the book is published, you retain all rights to your book, and you receive 100 percent of the profits.

In both cases, you have the option to choose what format your book will be published in—printed book, e-book, audio book, cd, dvd, and many more. If you pick an e-book, which is essentially a book published in digital form and available on e-Readers and other electronic devices, it can be downloaded instantly, has the ability to be translated into different languages, and can never go out of print. However, the as e-book formats and file types develop and change over time, many may need to be converted to a new file or format.

How do I know which one is right for me?


If seeing your work in print is to fulfill a personal goal you have or you view yourself as a hobbyist, choose vanity publishing.

If you’re writing a family history, memoir or book of poetry that has a limited audience, and don’t want your book stocked at bookstores, using POD is probably to your advantage. They are often nonreturnable, not sold at a discount, and you won’t have to store any unsold books.

Printing in bulk via self-publishing may be your best bet if you have a visible platform established to reach your audience, both online and offline (such as a website, Twitter handle, and Facebook fan page), have credibility with your readers in your genre/category and are prepared to dedicate your time to marketing and promoting your work.

Self-publishing is also a good option if you have a time-sensitive manuscript, as a commercial publishing company can take up to 18 months to get your book from manuscript to final production.
On the flip side, here are a few things to consider. If you don’t know how to find or reach your readers, don’t have an online presence, don’t have the time to spend online or dislike social media, want to be in a brick-and-mortar type of bookstore and have a publisher handle the marketing for you, the traditional publishing route may be the best option.

Ultimately it is up to you to decide!

How to self publish a book.


If you want to self publish a book you must choose a platform or provider. Abbott Press, a division of Writer’s Digest, offers publishing packages fit for any author. Plus, you retain the rights to your book and have the freedom to publish your book on your own time.

First, set a goal. Do you aspire to see your name in print? Do you want to achieve commercial success? Or perhaps you want to supplement your speaking career or business. Having a goal in mind before you start the self-publishing process will not only help keep you focused, it will help determine the right publishing package and services you need in order to help you reach that goal.
Second, choose one of Abbott Press’s five publishing packages that meet your publishing needs and will help you achieve your goal for your book. If your book needs polishing, you can also select additional marketing, editing and design services from its services store. Whenever you select and purchase the publishing package that is right for you, you are ready to take the next step.

Submit your manuscript and other materials for your book. An Abbot Press Check-In Coordinator will help you through the submission process and ensure that the details of your submitted materials are in order and ready for the book production process.

Once you’re ready for the book production process, Abbott Press will create your book’s interior and cover and send you electronic proofs for your review and approval. They strive to ensure that your distinct voice comes through and that you receive a book that you are happy with. Plus, you can take advantage of their expertise and experience while staying in control each step of the way.

Lastly, publish and promote your book! Once you’ve approved your book for publication, Abbott Press will send it to their printer and distributor, making your book available for purchase on a variety of major retail sites, including Amazon.com. You will receive the first printed copy of your book as well.

How do I publish my book, traditionally?


how to publish a book

Monday, December 1, 2014

6 Tips to Come Up With Great Ideas for Writing



Idea creation may seem a random and even mystical process, but there are simple and practical ways to increase your chances of how to come up with great ideas for writing.

All writers know it’s impossible to have great ideas all time. Sometimes you feel stuck, and it frustrates you, doesn’t it?

What is an idea?

Everyone wants to come up with a brilliant idea every time it is needed, but have you ever thought about what an idea actually is?

An idea is a connection. Any idea, even the simplest one, is an association with your previous and already known ideas. Our minds constantly form such connections, often spontaneously and unconsciously.

Another interesting feature of these connections is that they cannot be predicted. Often, an idea will be formed when two very different notions merge in an  unexpected or unusual way.
Here are six tips that can help you develop an excess of ideas:

1. Expect the appearance of ideas

The first step is to get rid of limiting beliefs such as “I am not a creative person.” Put away the prejudice that only a few chosen ones can create good ideas. You are a writer, you have some readers (whether you write a novel or short stories), and your ideas have worth.

2. Greet all ideas, even those that seem stupid

Never focus only on creating great ideas. Strive for quantity instead of quality at first. Most people fail to come up with ideas because they fear their ideas will be “stupid.” Never mind: ideas that are considered stupid today may become the basis for the revolutionary ideas of tomorrow. And when you finally have such an idea, no one will remember the less fortunate ones.

3. Be open to new experiences

The more you deal with different situations, people, and places, the more fuel you give your mind to form connections. Learn to celebrate diversity of life: travel, try new food, read magazines you do not usually look at. Do not be afraid to do the usual things in a different way.

And read! Yes, the more you read, the more experience and ideas you get. As well-known master of horrors Stephen King said:
If you don’t have time to read, you don’t have the time to write. Simple as that.

4. Save your ideas immediately

Develop the habit of recording all your ideas. Use your notebook, tablet, or voice recorder. The manner of saving ideas does not really matter; just make sure you always carry the means to record them. If you fail to write down ideas, you will end up forgetting most of them. Even worse: you will forget you even had an idea. Each time your mind recognizes your attention to its ideas, it rewards you with more ideas.

Don’t be so sure that you will remember all the ideas that come to you. As we all know, the brightest ideas have a habit of arriving in a bed while you are trying to fall asleep: “Hello there! I am your brain and I see you are trying to fall asleep. Let me generate a lot of brilliant ideas you’ll definitely forget in the morning!” Your best companion is a notebook, in which you can write down all your thoughts.

5. Be grateful for ideas

Whenever you come up with great ideas for writing, be thankful for them. By developing this habit, you create an additional positive reinforcement, a stimulus for your mind, which encourages the creation of more new ideas. It may seem a little bit strange, but it works. Just try!

6. Realize ideas come and go

If you find you can’t come up with any ideas for a few days, do not worry—it’s normal. Ideas will arrive suddenly, one by one. Sometimes ideas arrive so quickly you will barely have time to write them down. Always be prepared to take full advantage of the flow of ideas when it begins to gush.

Monday, November 24, 2014

5 Steps to Book Publishing


5 Steps to Book Publishing

Set your goals.When it comes to indie publishing, the best place to start is at the very end. Before you dive in to the process, consider what main goals you have for your book. Do you aspire to commercial success? Are you looking to supplement your speaking career or business? Maybe seeing your name in print is enough to make you happy. Determining your goals will help you map out the path you need to take in order to arrive at end results that will satisfy your expectations.

Choose a publishing package.Once you know what you want to accomplish, it’s simple to select the right publishing package. Our five publishing packages are designed to meet the publishing needs of a wide variety of authors; and Abbott Press gives you the freedom to choose a package with services that are most relevant to your specific publishing goals. You can rely on an Abbott Press consultant to help you select the package that is best suited for your book.

Put your best work forward.Deciding to put your work out there where the world can see it is a career-changing step; and we understand it’s important to you that your work is truly ready for its big debut. Once you’ve purchased a publishing package, an Abbott Press Check-In Coordinator will work with you to make sure you properly submit your manuscript and any other supplemental materials for your book. You can choose to work with our professional editors and designers to help ensure that your finished book will meet your own high standards — as well as those of readers and industry professionals.

Stay in control.One of indie publishing’s most attractive benefits is the ability to take charge of your book’s future. Since you retain the full rights to your work, you remain in control of your book’s content, overall design and more. Each person you work with at Abbott Press will take his or her direction from you regarding the details of your book. Once you’re ready for the book production process, we’ll create your book’s interior and cover and send you electronic proofs for your review and approval. We strive to ensure that your distinct voice comes through and that you produce a book that fills you with pride. You can take advantage of our professional expertise and advice while still staying in control each step of the way.

Publish and promote your book.As soon as you give us the go-ahead, we’ll send your final manuscript to our printer and distributor, making sure your book is available for purchase from a multitude of big-name retailers. We’ll send you the first printed copy of your book to hold in your hands. Take a moment to enjoy the feelings that come with being a published author! When it’s time to promote and sell your book, Abbott Press offers many marketing and promotional services that can help you continue to move forward.

Monday, November 10, 2014

10 Fast Ways to Become a Better Writer (Even When You’re Burning the Midnight Oil and Can’t Afford an Editor Just Yet)


10 Fast Ways to Become a Better Writer (Even When You’re Burning the Midnight Oil and Can’t Afford an Editor Just Yet)
In the world of online and email communication, writing powerful copy makes all the difference.
Writing doesn’t just communicate ideas; it generates them. If you’re bad at writing and don’t like to do it, you’ll miss out on most of the ideas writing would have generated. -Paul Graham
The sun’s been down for hours and you are alone with a warm drink next to your laptop. You’re burning the midnight oil again in the back room, building your online business, and you know you need to put another post up on your blog, but you’re just not sure what, exactly, to write about.
The struggle of building your business and hustling on the side is that you don’t always have the time and luxury to write whenever you want, and while the idea of editors, proofreading, and revising your essays sounds great-you need to write something and write it now.

For people working a full-time job during the day, juggling families, and responding to other demands, having ample time to fill notebooks, draft, and re-write sounds like a pipe dream.
How can you quickly improve your writing? What tools are there beyond grammar and spellchecker to make sure you’re doing your best work?

Sometimes we need tactical, specific, and immediately useful tips to make our writing better. Most writing tips, for me, always seem to feel good – and then I struggle with the actual writing and re-writing. How do you transform the writing tips of Stephen King, Stephen Pressfield, Seth Godin, and Ray Bradbury (amazing storytellers, all) into actionable outcomes?

Here are 10 of my favorite strategies that help when you’re self-editing, scrambling to make ends meet, and holding both a beer and a coffee in your hands while trying to write-and want to do your best work.

1. Start with a story

Begin your piece with a fable that illustrates your point and shows the reader what it is that you’re talking about. Develop a scene and a scenario where people can nod their heads and say, yes, I see, that happens to me. I can picture myself doing that.

Despite how useful facts and lists are, stories are what resonate. We’re pulled into the grip of a helicopter crash, and most of us can’t look away when we see bright lights or hear loud noises. It’s the pull of the story and the unknown that captures our attention. Stories are memorable, and we can tell and re-tell them; they are, in fact, how we wire information into our brains.

Great writers on the web today hook readers in with stories, creating fictional (or narrative non-fictional) scenes with detail, specificity, and color.
Here are two great examples:

Danielle LaPorte, On Managing & Loving Money:

No one ever taught me how to manage money. My folks were young and working, Catholic High School didn’t give me any tips, and I skipped college. So that left me and my Visa card, which mysteriously showed up in the mail on my nineteenth birthday. I promptly went shopping that weekend. And the next weekend.”
If you look closely, the post is actually about a book launch, but the first paragraph isn’t about the book, the author, or the call-to-action at the end of the post. It’s a relatable, tangible story that outlines the problem all to common to many people: the problem of managing money, and the story of what happened when she got her first free credit card.
Caleb Wojcik, on The Metrics You Should Measure:
You know the rush. A guest post you’ve written goes live on a huge site, you finally launch the product you’ve been working on for months, or an older article of yours gets Gizmodo’d.You watch your traffic spike and you can’t peel yourself away from the analytic for the whole day.

‘Look at all those visitors!’ you yell to your significant other as they feign interest.”
This post is about what you measure when you’re evaluating your blog, website, traffic, or product. The introductory story, however, is about that feeling you get when you see a post of yours go live, hit the charts, or make the rounds in Twitter-and the way your significant other may or may not be involved in your online business.

You can also use this strategically in personal emails. For example, rather than jumping to the question you’re dying to ask, you can start out with a quick story (or set the scene for where you are). This situates the reader (on the other end, perhaps in some place far different than where you are) within the framework of your life. Like Instagram but with words, you can give a little snippet of your life through language:
For example, change typical emails that begin:
Hey Ryan, how are you? Hope you’re well.
To a quick setting of the scene-showing where you are and what’s in your life:
Hey Ryan,The other day, I was walking through the streets of San Francisco and grumbling about the never-ending fog. I realized that the city was like a refrigerator. Now that I’m in New York, I miss the air-conditioning and I also miss many of my friends like you dearly. It reminded me to email you and say hello. I hope you’re well.
In both blog posts and in emails, using stories helps you illustrate your point and takes general advice and makes it something the reader can see and feel.

2. Start with a question.

Much of life, and blog posts, are paradoxes, not answers. Starting with the answer first can be terrifying (and worse, inaccurate or incomplete).

We revisit the same ideas over and over again not because we’ve conclusively decided, but because each topic is worth thousands of conversations. We need the reminders, we meditate on the ideas, and we each have our own flavor and take on the issue. In a recent New York Times Opinion piece about the suffering in Syria, the author opens the essay with a question that haunts human philosophy: Does the torrent of suffering ever abate – and can one possibly find any point in suffering?”
You don’t need to answer the question to write a great story or essay. Begin with a question, and add your thoughts.

3. Play with the use of first, second, and third person narrative.

First person is filled with “I” statements-great when you know the author, or you have a relationship with the person doing the writing. Second person uses “you” all the time-and can be a wonderful tool for creating empathy and describing a scene that you want the reader to inhabit-but can become bossy quickly with excessive use. Third person focuses on the scene or the action from an anonymous observer within the room.

Most of the time, we don’t actually care about the writer. Your reader wants to know exactly how the writing affects him or her-and whether or not the reading is going to matter to them specifically Right from the start, you should paint a picture of the person or scene and show the action happening.
While first-person can be a tremendous tool as a writer, many bloggers (myself included) are often far too liberal in writing our experiences. Luckily, there’s a quick way to fix this: write the post you would normally write, and then edit selectively to remove the “I” from a couple of paragraphs.
Take a paragraph that looks like this, for example:
I was tired and hungry from a long day and the rain was beating down on my bike helmet. I didn’t want to work anymore-I was completely exhausted and ready to hit the hay. But I knew how important it was to continue to get this project out the door-it was my first real project as an entrepreneur, and delivering it mattered.
And turn it into this (reducing the use of I statements-but still narrative):
The rain beat down on my bike helmet. It was a long and tiring day. Sometimes it feels better to hit the bed instead of continuing to work-but I wanted to impress my newest client. Getting projects out the door on time is critical for first-time entrepreneurs. It was important to deliver, and deliver well.
You’ll know when removing the first person is great when the paragraph stands on its own without the use of the first person narrative.

Take this post by Chase Reeves on “How Much You Should Be In Your Business?” – the opening sentence is focused on the reader (the second person). For the sake of contrast, I’ll rewrite the opener in two different ways as a point of comparison.
Original (Second Person): “You’re here because you want to create a business that supports you. You want to build something that earns and affords you the life you aim for.”
First Person: “The more important thing to my business is creating something that supports me-something that affords me the life I want and creates earnings I can live off of.”
Third Person: “It’s clear why building a business is critical—it’s a form of support. It’s a source of earnings and creates a desirable lifestyle.”
To me, the original (second person) option is the most powerful-it connects with the reader, has them nodding yes, that’s my vision, and sets the parameters for the post. The first person version makes me wonder why I care about their business, and the third person feels dry and impersonal.
If you’ve written something and you know the content is good-but it’s not resonating in the way that you want-try re-writing it from a different point of view. That might be the trick to creating the snappy writing you want.

4. Talk it through.

Start with the communication vehicle you’re most comfortable with. Most people get stuck writing because they haven’t done it enough. They haven’t sat at the computer and made writing a habit, and each time they do eventually get to the screen, they agonize over each word choice and sentence until they’ve beaten the poor essay to death, 500 words and 2 bottles of wine later, declaring, “I’ll never write again, no, not me!”

If you’re stuck on writing, chat with a friend and use voice recorder, or stomp around your office or hallway and talk things out. Much of great conversation and thinking is done while moving-why should we sit and expect the great ideas to pour out of us once we’ve relegated our bodies to stillness? Start talking, start recording, and go for a walk. Many a mile I’ve walked with an earphone in my ear and a voice recorder on, pretending to talk to someone else while I’m actually just talking to myself.

5. Write the outcome you want first-by beginning with the ending.

Start with the ending, and the desired action. Sometimes the posts I write are creative, lyrical, poetic, and exploratory-that’s fine. Other times, I want something, and I want something specific. Perhaps it’s a donation to charity water, or a sign-up to my latest writing workshop. Each time, I think carefully and specifically about the person who will be reading the essay, and the end of the piece, and what action I want them to take.

Step one: write the desired outcome. Before writing your post, write the action or outcome that you want people to do. How do you want them to take action?

For example, a desired outcome might be getting people to sign up and enroll for FizzleCo. So, begin by writing this outcome down:

Sarah goes to the website, reads my post, and nods. Yes, she’s having all those problems I’m articulating. She really wants something to help her with online business training. Why does she click on the post at the end? Something is really compelling-she clicks because she’s having trouble figuring out how to make great videos and wants to talk to more people who are having the same issue-so, here’s what I’ll write at the end: Want to get better at making outstanding videos and meet more customers? Sign up for FizzleCo.

Step two: Outline the puzzle pieces (usually I use post it notes across my desk) that create a story framework that will lead to this desired outcome:
  • Start with a story-introduction that elucidates the situation or pain point
  • Add in background information and expert details;
  • Create the framework for a solution to the problem with suggested steps;
  • End with a call to action and final solution (your recommended solution).

6. Write about things you know.

Write about things that seem incredibly obvious to you (and that you’re perhaps overlooking). Describe how you do things, and how you sort your day. Pay attention to the questions people ask you at conferences, in email, and during dinner conversations for clues to what people want to know. Surprisingly, people are incredibly different and what you do may be novel to someone else.

7. Be incredibly specific.

Clichés and abstract thinking are painful to read and prevalent across every type of writing. The solution to clichés is to get incredibly specific-start detailing the scene and describe who is doing what, where you are, and what is happening. Examples are more powerful than anecdotes.
For example:

It was grueling, and I was exhausted. I’d never worked so hard in my life.
Can be turned into something much more specific, with details about who, what, where, when, and why:

My arms were quivering and shaking; in retrospect, doing a 26-mile run the day before writing my launch essay was probably not the best strategy. I could barely keep my fingers above my keyboard.

8. After you’ve written your essay, go back and delete the first and the last paragraph.

After you’ve written your post or essay, go back and delete the first and last paragraph. The body usually contains the most of the “meat” of the post, and many writers amble on too long in the introductions and conclusions. Try deleting it and shortening it to make it sweet and punchy.

9. Mimic great writers you like.

You don’t have to reinvent the wheel. If you’re stuck, use Ever note to copy and trace patterns that you like. I like to save out great essays and drafts from my favorite writers, print them, and then highlight them to study how people write effectively. Behind the words that you enjoy the most are patterns and clues to great writing.
For example:
  • Email headings: Pay attention to what you click on in emails-what were the five emails you opened first today? What did the headlines say? Jot those down. Circle words that felt great. Were they long or short? What made you want to click? Take one you like and flip it around to become something that works for your business, idea, or model.
  • Start with a bang. Use powerful ledes. Not sure what a lede is? (It’s the bullet or grab at the beginning of a story, made clear in the first paragraph) – skim 5 opening paragraphs of the New York Times with a highlighter and see what you like about each one. Convert it to your own style.
  • End with a boom. Wrap up the writing with a punchy statement, a leading question, or a call to action. If you’ve deleted your first and last paragraphs, perhaps there was one sticky statement you wanted to keep-perhaps distilling that into one sentence will do the trick.

10. Write less and link more.

Find examples and point to them. It’s perfectly okay to not reinvent the wheel – it can be equally valuable to curate great content or showcase your process of discovery if it’s lead you to a great outcome or conclusion.

Here are three of my favorite articles on how to be a better writer:
  • 17 Tips for Getting Unstuck and Back Into Creative Flow, on Scoutie Girl
  • Why You Should Write Daily, on Zen Habits.
  • New Writer Traps and How To Avoid Them, on Think Traffic
In todays’ world of digital and fractured communication, writing is more essential than almost any other skill-when you get better at writing, you get better at everything.

Writing isn’t just a tool for communication – it’s a tool for creative generation and unlocking what’s within your mind. It’s a tool for discovery, search, synthesis and re-wiring. Writing regularly is not just a means to create content, but is itself a tool to generate ideas and crystalize ideas. Whenever you can, use a notebook, use Evernote, google docs, or another system to capture your ideas and practice collecting (and imagining) ideas.

The more you write, the easier it gets, just like any other habit. When I first began writing, it could take me 6 to 8 hours to write a short post. Today, I can start and finish a post in under an hour minutes if I’ve been thinking about it during the week-writing has gotten easier to do because I keep it up as a habit. I use writing and sketching regularly as a means to generate ideas. My notes become stories, my stories become paragraphs, my thinking wanders over the page, and then I pour content into the computer.

But when you’re pressed for time-or you’re stuck in the here and now of needing to write a post, having someone to tell you that “practice” and “consistency” are the best tools to get better at writing doesn’t help you with the post that you’ve got to find a way to write-right now.

Monday, November 3, 2014

How to Be a Good Writer

Here are some tips on how to become a good writer. It takes time, perseverance and practice. But with patience, good practical approaches and determination, you can turn your creative desire into concrete writing.

Part 1 of 5: Getting Practice

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    Write a lot every day. You may prefer to write in long or short sessions. Write a short paragraph or an entire page. See which works better for you.
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    Join online or neighborhood writing groups. You can even practice writing at wikis, such as wikiHow and Wikipedia. You will become a more proficient writer as you help people.
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    Do not leave the page blank. Getting anything on the page at all can help you get started. If you do not know what to write, start writing anything at all. Even if you begin with “This is boring and I don’t know what to write,” you may soon find yourself writing something more.
    • Look online for writing prompts. These are designed to give you a starting block to work from.
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    Make sure that people understand and interpret your writing the way you intend. Try it on a test audience and see how they react. If they don’t get it: you’re doing something wrong! Also try taking suggestions from peers and family to help you refine your idea.
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    Ask someone else to read your writing. If at all possible, have a second person read your writing. Choose someone whom you trust to be forthright and frank.
    • Eventually, you may be asked to comment on someone else writing. Be honest, but also be tactful! Make sure they understand that some things are more important to fix right away, but there may be other weaknesses that must be addressed eventually, when they’re ready to work to improve their writing quality still further. The desire for perfection can never rest.
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    Keep practicing. Perhaps some day you will become a famous writer, teacher, storyteller, or whatever your dream may be, but the important thing is that you love what you do.

Part 2 of 5: Gaining Vital Skills

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    Expand your vocabulary. Read the daily newspaper. Purchase a reliable dictionary and thesaurus. Your short story will not be nearly as exciting if every character “walks” everywhere and “yells” every time they’re angry. A comprehensive vocabulary can help bring your stories and poems to life, enabling you to better describe the world around you.
    • Do not underestimate the power of “said!” “Said” is a word that becomes invisible in dialogue. Try to only use other words when indicating volume, voice quality, accents, etc. Above all, never use “stated.”
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    Be sure that you are using words correctly. Some of the alternatives listed in your thesaurus may not have the right shade of meaning or be appropriate for the level of formality. Look up the word in your dictionary to be sure, and if in doubt, use a word that you already know. The key to using words in the way they are most commonly understood is to read, read, read. Re-read books and articles that strike you as effective, and closely examine the way they use words.
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    Use proper grammar. Proper grammar can mean the difference between a sentence that is graceful and translucent and a sentence that is awkward and ambiguous. When you first put your ideas on paper, you should try to write quickly so that you do not forget any of them. Be sure to focus on proper grammar, spelling, and punctuation in the revision process, though. Dangling modifiers and faulty parallelism can reduce clarity as well as the overall quality of your writing. If you have a question about grammar, refer to a grammar book, such as The Elements of Style by William Strunk and E. B. White[1] or The American Heritage® Book of English Usage.[2]
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    Tailor your writing to your purpose and your audience. Just as you change your clothing for the weather and the occasion, you should also change your writing for your audience and your message. Flowery writing, for example, might fit better in a poem than in a status report. Make sure that your writing is not too difficult (or too simplistic) for your audience. Adjust your word choice and sentence length for the given audience and level of formality. Limit jargon, and be sure to give your readers all the background information that they will need to understand your composition.
    • When writing fiction, for example, the rules are quite loose. Figurative language, generalization, writing to be read at the inferential level all have their place. But when you’re starting out, clarity is more important than style.
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    Edit your writing. Once you have a first draft, reread it and rewrite it. You are looking for errors in grammar and spelling as well as style, content, organization, and coherence.
    • Editing is an iterative process. You may edit a piece many times. Just remember, no writing is immediately perfect.
    • Give yourself time between writing and editing, if at all possible. It is better to wait a good length of time, but even a short break can give you some of the necessary distance and detachment to edit well.

Part 3 of 5: Inspiring Yourself

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    Read all sorts of things, but really take the time to enjoy an old-fashioned book. Regular reading will influence your style, taste, background, and ideas. It will also help expand your vocabulary and improve your grammar.
    • Reading pieces by other writers helps you to identify their writing styles and specific things that set them apart. Where necessary make corrections and look for ways you could make their pieces better.
    • Determine what is good writing and what is not. Find your literary heroes. Read both historical and contemporary authors.
    • Read a variety of topics and styles, with a focus on styles or genres in which you wish to write.
    • Make good use of your local library, both as a source of a variety of reading materials and as a resource.
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    Meet a writer. A writer could give you tips as well as tricks. Meet authors at Book launches or Community Book festivals and forums. Perhaps there is a writer living locally that you could consult through a public event, or even write/email them and ask if they are willing to meet you or offer any support.
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    Make lists. Are you writing a short story? Create an outline of the events. Are you a poet? List vivid adjectives or rhyming words for your poem. Are you working on an informative piece? Use a list to narrow down your topic or organize key facts. Are you unable to find a topic? Keep a list of topic ideas. Try brainstorming with the following ideas:
    • Questions that you would ask someone famous
    • Things that you would do if there were no risk
    • Things that you would do with a million dollars
    • Names that you would give an exotic pet.

Part 4 of 5: Writing Vividly

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    Write what you would like to read about. This will be the most engaging for your readers because your passion will shine through. Find something that you are passionate about and that you would pay to read. Focus on success of you story as a story not as a bestseller. Whatever else you are striving for, be it readers or money, will come after.
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    Create a setting and take your reader there. Vividly describe the setting to your reader. If you are writing a story that takes place in another region or another time, add some local color. If you are working on a nonfictional writing about Morocco, tell your reader about the charms of Morocco. Write about it as though you have traveled to Morocco yourself. Pretend that you are writing a travel brochure, and do some research. What would make your reader want to visit Morocco?
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    Be specific. Avoid implying or over-generalizing; vagueness and generalizations are less likely to grab your readers’ attention. Which sentence is more interesting to read: “In this town, the crime rate has significantly increased in the last year” or “In this town, the crime rate has increased more than twenty percent in the last year”? At the same time, try to include only the relevant details; say all that you need to say without wasting space.

Part 5 of 5: Writing Productively

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    Brainstorm before starting to write. In order to focus your writing, begin with the main idea. While thinking about what to write, put down any idea that comes to you, even if it seems far-fetched or unlikely to be successful. One not-so-good idea may lead to a better one.
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    Buy two notebooks. One is a “Vocabulary Notebook”, and the other is an “Inspirational Notebook”. In your “Vocabulary Notebook”, write down new words and their meanings as well as mnemonic devices (memory aids) to help you learn them. You may also want to write down some example sentences.In the “Inspirational Notebook”, write down bits and pieces from your daily life, such as a fun conversation that you overheard in the mall, or a joke that you were told by a friend. This can also be a diary or a journal. When you read something that makes you laugh or think, or tempts you to read aloud, look at what makes it effective.
    • Jot down all the ideas that occur to you, including the ones that would probably never work.
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    Plan your writing, especially if you are producing an informative piece. Use whatever technique works best for you. You can make an outline, put a collection of notes on cards and arrange them until they are in order, or draw a tree or map. It is possible to rapidly organize a broad topic with a tree or map structure.
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    Write as quickly as you can for the first draft. Try typing without looking at the keyboard. Do not pause to correct grammar, spelling, or punctuation. Write at least a few paragraphs before going back and correcting or editing. This is one of the most common recommendations for making sure that you actually finish what you start.
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    Be well-informed about your subject. Your research will make your fictional or nonfictional writing seem that much more real. You can use reading materials such as books, magazines, and online articles and also interview knowledgeable people. You may even be inspired by something that you see on television.
    • Remember that fictional writing will usually require less research than nonfictional writing. Make sure that you have a strong framework for your story before you start researching and filling in details. Try to first develop the main points of the plot. If you are having trouble finishing your story, however, research may give you some ideas for a satisfying conclusion.
    • If it’s an article make sure you have all the facts in front of you. Interviews, research and any background information you can find. Make sure there are no doubts in your mind as to the veracity of your facts.
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    Practice self-discipline. Discipline will be necessary. Writing everyday at the same time regardless of how you may feel will help you to gain this discipline and the will power you need to continue and finish whatever you begin to write
    • Of course, you also shouldn’t solely look at writing as work. It is actually fun. Don’t stress yourself out.

Monday, October 27, 2014

5 Things Beginners Need to Know About E-Book Publishing

The e-book publishing landscape is changing fast—with new services, new terms, and new formats.
Despite the pace of change, here are 5 things that have remained fairly constant this year—and that you must be aware of—before you undertake any kind of self-publishing process for e-reading devices. I promise to update this list should any of these facts change. (But don’t hesitate to leave a question or comment on this post at any time.)
  1. E-book publishing and distribution services (e.g., Amazon’s Kindle Direct Publishing, Barnes & Noble Nook, Smashwords, etc) are nonexclusive and do not take any rights to your work. That means you can use any or all of the services at the same time, and you can take down your work at any time. (You can also upload revisions/updates and change the price at any time you like.)

  2. There are single-device publishing/distribution services and multiple-channel distribution services, which can be used in tandem. Smashwords and BookBaby are examples of services that will distribute your e-book to multiple e-reading devices. Amazon’s KDP (Kindle) is an example of a single-device publishing service.
  3. Successful e-books generally require excellent cover design (appropriate for digital viewing and reproduction), appropriate pricing, and strong social currency (testimonials, reviews, blurbs). Appropriate pricing is constantly under debate, but for novels typically runs from 99 cents to $2.99.
  4. Amazon royalties favor pricing between $2.99 and $9.99. Authors who publish direct with Amazon Kindle will receive a 70% royalty if they price between $2.99 and $9.99. Pricing above or below that range means a 50% royalty. You are not allowed to undercut Amazon’s price on other sites (and that includes your own site).
  5. Calibre is free e-book conversion software used widely by people in the industry to output e-book files from many types of sources. However, this software might prove intimidating to an inexperienced user. To avoid handling the technical aspects of formatting and conversion for your e-book (especially if you have a range of styles or illustrations used in your book), use a service such as BookBaby, which charges a flat fee to get you going.

Monday, October 20, 2014

Beginner’s Guide to Book Publishing 101



Publishing a book is a hugely complicated undertaking. This article points you at the resources to learn first if you’re considering becoming a publisher.

The very first thing you need to do is read, read, read, and of course, follow that list. What to read? I would recommend you start with The Complete Guide to Self-Publishing by Tom and Marilyn Ross, The Self-Publishing Manual by Dan Poynter, The Huenefeld Guide to Book Publishing by John Huenefeld, 1001 Ways to Market Your Books by John Kremer, The Prepublishing Handbook by Patricia J. Bell. There are many other good books and resources, but these will get you started.

Then choose a company name. This is very important! You will have to live with this forever. If you choose something someone else already has or even something close, you could be in for legal troubles. (I know. I had to change my name.) You’ll need to clear it through a company like TradeMark Express (who I used), another such service, or a trademark attorney. Then of course, you’ll have to satisfy your local authorities, i.e.. get a city business license and reseller permit, file with the county for a fictitious business name.

Also, get a business telephone, get a fax (on a separate line from your business phone), get stationery and business cards printed, open a business bank account, put lots of money in it, develop your business and marketing plan, etc. (there’s much more to come). Personally, I joined Publisher’s Marketing Association (you’ll hear a lot of pros and cons about this), subscribed to Publishers Weekly, ForeWord magazine, and others, just to get a handle on what’s going on in the publishing industry. As you get a book ready, don’t try to edit, typeset or design it yourself. Get professional help (available from Pub-Forum members).

You’ll need a contract with your author (if not yourself) and for your illustrator/cover designer. Don’t design your own cover. Get help. It will sell your book. Nothing looks worse than putting out an amateur looking book. That will kill your company overnight.

Oh my; we haven’t even talked about getting reviews, advertising, image building, printing, royalties, author/illustrator relationships, distributor/wholesaler issues, fulfillment. There is so much to learn. But be patient. Don’t expect to start selling your books tomorrow. I started in 1998 and won’t have my first book on the market until 2000, but that doesn’t bother me. I have time to develop a clear direction for my company, set up my web site (it’s almost ready), research my markets, etc.

Best of luck in your venture!

Monday, October 13, 2014

Publishing: 7 Things Lessons Learned From My First Book Deal

One of the things I really love about this writing life is that we meet other writers along the way, and we never know where they will end up.
 
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Four years ago I started out on Twitter as a newbie, with no author friends at all, and one of the first people I connected with was Graham Storrs. I hadn’t even started writing fiction at the time, but Graham’s first book Timesplash was well on the way. 

He wrote a fantastic post on what that first experience taught him, and now he’s back, with a traditional book deal and a new book, True Path. I’m delighted to see how far Graham has come in these few years, and I hope you’re also encouraged. Seeing how much we can all achieve over the years is one of the precious things about blogging!

Signing with a publisher is a big deal for a writer.

For most of us it is the achievement of a lifetime ambition, something we’ve dreamed about since childhood. It certainly was for me when I signed up with a small NY press to publish my novel, Timesplash. It wasn’t the first book I’d written – more like the tenth – but it was the one that has always got publishers most excited.

That was three years ago and that first deal went on to break my heart. Sales were dismal and the book looked like a complete flop. But the experience taught me a few things about publishing in today’s chaotic marketplace that might be of interest.

(1) You Get More Than One Chance

Even as recently as 2010, people were telling me that if you got a book published and it flopped, you might never get another go. The publishers, they said, would check your Nielsen data to see what your sales were and a flop would mark you as a bad risk. It filled me with dread at the time when I saw the meagre royalty cheques and decided I was a marked man.

And yet the reality was quite different. Publishers didn’t seem to care and agents never asked. This was true even for Timesplash, which had already been published and failed, and then self-published with, at first, very little success. Self-publishing was something else people had told me would kill a book’s chances of ever being commercially published.

Yet three different Big 6 publishers and three small press publishers talked seriously about publishing it. Three of them negotiated contracts and one of them, eventually, signed.

The moral seems to be, never give up on yourself and never give up on your book. The old rules don’t apply. Things have changed and they’re still changing.

(2) Rights Matter

However, you really have to be sure you have the rights to your work, or you will never be able to re-sell it. After my first failure, I asked the publisher if I could have my rights back (because I intended to self-publish the book). They agreed readily. Publishing in my genre had been an experiment for them and they were as disappointed as I was. I was lucky. Although I had a termination clause in my contract, they let me off. I could still have been waiting for the contract to end so that I could do something else with my book.

It has made me very wary about what rights I sign over to publishers and to make sure those termination clauses are in place. Even when I sell a short story these days, I let the publisher know I will probably want to self-publish it soon and we negotiate on how long any exclusivity period might last.

(3) Publishers are Human Too

Not only through Timesplash, but also with other books, I have had a lot of dealings with publishers, large and small in the three years since Timesplash was first published. And this is what I’ve learned about them: they’re just people trying to run a business.

Like you and me, they find themselves in a world of rapidly changing opportunities and shifting markets. They’re not sure how best to proceed and they’re often open to experimentation and off-the-wall business propositions. Sometimes, the crazy ideas come from them. Sometimes you can see they’re thrashing about trying new things in the desperate hope that they can find a business model that beats the competition.

I tend to get caught up in enthusiasms and I’m far too willing to give new ideas a go. These days, many publishers are the same – to everybody’s detriment. It really is a good idea to step back and ask yourself just how you’re going to make money from the deal you’re so excited about. How many books you can reasonably sell through each channel. What your return will be. What your personal outlay will be (usually measured in hundreds of hours of ineffectual marketing time in my case!) and how quickly you can back out of it if it isn’t going well. You need to ask publishers hard questions but accept that they might not know the answers. We’re all learning all the time now.

(4) Self-Publishing is About Selling

This is something you will have heard from self-publishing gurus all over the Web, so I hardly need repeat it. I knew it before I started self-publishing, yet it still came as a big revelation to me. It’s not about having a blog, or a Twitter account, or a large group of Facebook friends. It’s about publicity, marketing, and ultimately, selling: segmenting your customer base, making the right proposition, and closing the deal.

Many years ago, I asked my wife (who is so much wiser than me) if I should quit my job and run my own business. She said I shouldn’t – not because my ideas were no good, or my business plan wouldn’t work, or I didn’t have the skills needed, but because I wouldn’t enjoy running a business. She was right and that’s why I don’t enjoy self-publishing. It’s a business. You make things, you package them, and you sell them. I can do it. I’ve made a fair bit of money at it (lots more than any publisher has ever earned me) but I don’t enjoy it. Some do. Some don’t.

(5) Editors Should be Certified

As well as working with many publishers over the past few years, I’ve also worked with a lot of editors, including independent ones. And I’ve come to the conclusion that editors should be qualified. They should do a three years degree in editing (not an MFA or an Eng. Lit. degree!) and then take post-grad courses in particular genres. Only then will they be fit to be let loose on the world.
I have encountered many degrees of incompetence in editors – from small presses especially, but not exclusively – and I have worked with just a couple who can do it right, who “get” what you’re trying to do and use their skill to help you achieve it the best way you can. Some editors I’ve worked with have been barely literate. Some were rule-following robots. Some were just not very bright. The one I have now is extremely good and, I have to say, even if I never make a cent from my contracts with Momentum, I’d be tempted to stick with them just so I don’t have to work with poor editors ever again.

(6) An Agent is Only Good for One Thing

Because I don’t enjoy the business side of self-publishing, and because I am generally disillusioned with small publishers, I have decided I only want to be published through big publishers – preferably the Big 6 (or however many there are left now). Small publishers will let you send them manuscripts “unsolicited” but the majority of the big ones still insist on receiving submissions through an agent. It is this function, interfacing with publishers who otherwise refuse to speak to me, for which an agent is invaluable. I simply can’t do business without one.

(7) Friends Matter Too

I think it’s because I’m a chronically shy, introverted type, that I have never really seen it before but people will help you. Other writers will help you. You don’t have to do it alone. In fact, I was never able to do it alone and any success I’ve had is traceable the kindness of other people. Asking for help might seem like the hardest thing in your life (even worse than asking for sales) but I’m discovering that you don’t always even need to ask. People are just that darned nice!

So let me sign off with a special thank you to Joanna for hosting this post.\


 
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Graham Storrs is a science fiction writer living in rural Queensland. A former research scientist, IT consultant and award-winning software designer, his published non-fiction includes three children’s science books, over a hundred magazine articles, and more than thirty academic papers and book chapters, in the fields of artificial intelligence, psychology, and human-computer interaction. In recent years he has turned his attention to writing science fiction and has published over twenty short stories in magazines and anthologies.

Graham recently signed a two-book deal with Momentum, an imprint of Pan Macmillan, to publish his time travel thriller, Timesplash, and its sequel, True Path.

Monday, October 6, 2014

Getting Ready to Publish

Post image for Getting Ready to Publish
The very first thing to do when you start thinking “Should I self-publish?” is to find out what kind of publisher you might become. This decision is critical because it will influence the decisions you make down the road about organizing your publishing business, if you start one, budgeting for your book, and the way the book will be manufactured.
In order to help decide on your publishing path, take a look at these articles on the different ways to be a self-publisher:

What Kind of Self-Publisher Am I?

Two Kinds of Self-Publisher—Which One Are You?
Self-Publishing Basics: Four Ways to Publish Your Book
5 Good Reasons to Self-Publish Your Book
7 Reasons Not to Self-Publish—Is This You?
The Self-Publisher’s Self Questionnaire

Now that you know the direction you want to go, it’s time to do some homework. You’ll have to establish your company with local authorities, pick a name for your press, and establish yourself in the world. You’ll be putting in place the infrastructure your new company will need to launch your book. You’ll deal with companies like Bowker and get your ISBNs in preparation for publishing your book.

Preparing for Publication

How to Create, Register and List Your New Publishing Company
Slow is the Best Speed for Self-Publishing

You’re just about ready to start your publishing life. It’s natural to feel a little nervous about the world you’re entering, but pretty soon you’ll feel right at home. Each time you make progress toward publication, or to increase your readership, you add valuable experience. For most self-publishers, this book is the first one they have written and published. It’s daunting to have to learn everything at once.

Becoming Part of the Community

Becoming part of the community of self-publishers, indie writers, editors, book designers, marketers and everyone else associated with indie publishing gives you the opportunity to learn from dozens of experienced people.

5 Things That Shouldn’t Surprise You About Self-Publishing
Top 5 Discussion Forums for Self-Publishers
3 Indie Publishing Discussion Groups: Getting Your Questions Answered

There’s no other way to say it: Self-publishing can be an exhausting and demanding job, but it’s also satisfying in very unique ways. Sometimes when you’re getting started it helps to remember both sides.

Getting Up and Running as a Self-Publisher

6 Ways to Jump-Start Your Self-Publishing Career
8 Answers That Help Self-Publishers Get Up and Running

And even though we won’t talk about marketing until later in this journey, it’s time for your publishing company and you as an author to have a presence online. The sooner the better. Authority and influence build over time.

Author Platform: What Are You Waiting For?

And the next step in your journey is Planning Your Book. Onward.

Monday, September 29, 2014

The Most Challenging Part In Writing A Book




Writing may be fun but easy? Who says? At some point, you will lose the idea, you will need a fresher angle, you have to find your way back to your trail of thoughts, you have to get inspired. Not counting the characters and their supposedly unique traits, the appropriateness of the setting, the symbolisms, the humor, the twists, the emotions, and the list goes on. Writing a book is never a stroll with your dog – it entails hard work. Very hard work.

Even those that are in the pedestal cannot dare say that book writing is done in just a couple of weeks. You may start fresh with ideas, laden with creativity but at some point, your flow of thoughts run dry so you grope for the light. You search for what’s missing. Then, you get back and try to fill the empty spaces only to discover even bigger ones.

Established writers share that there are a lot of challenges in writing a book. Here are the top 3 challenges authors meet along the way.
  • Opening Scene
-          In here lies the future of your book. If the opening scene looks boring or uninteresting for readers, do not expect for most of them to make it to the next chapter. The world is moving in a fast pace. Readers do not like to spend time on things that are not worth it. The agony of writing and rewriting the opening scene always entails creativity (and abundant supply of it), and above all, bottomless patience.
  • Climax
-          Readers expect too much in the climax that a book instantly gets praises on social networking sites after meeting what is expected of it, otherwise, bashers abode. The climax is expected to be the most beautiful, most heart-wrenching, most romantic, most magical, most wonderful, most tear-shedding, most spine-tingling part. And crafting is as mind-twisting, and heart-breaking and exhausting.
  • Ending
-          After all, in this lie the final say of the readers. A good ending earns a mark in the readers’ minds and hearts. You do not even want to hear from your readers if it’s otherwise. Just as the opening scene is crucial, the ending is delicate. Just as the opening scene must be compelling, the ending should be heart-melting. And as a writer, you just have to exude creativity. And never run out of it.
  • Writing through a good perspective
-          As authors, you need to write in a way that will capture the interest of the readers yet realistic enough to keep in touch with what’s actually happening. The characters’ (especially the protagonist’s and antagonist’s) line of thought should come from a fresh angle and is not generic. They should according to the behavior he/ she should supposedly possess and not according to what the author feels. The characters should think, act, and speak for themselves. This is nothing but mind-twisting.
That’s when a Writer’s Depot steps in the scene. You want tips to overcome these challenges? Book marketing tips? Self-publishing ideas? Anything about writing. Just take time to visit a Writer’s Depot and dissolve your worries.

It is true that book writing is easier said than done, but with passion, even a word can lead you to making a series. Just believe and, of course, strive hard.

Monday, September 22, 2014

Self-Publishing Going Mainstream



Change is a constant thing in this world – a cliché which is proven and tested. Not one thing stays as it is. And changes often end up with altered perceptions. A shift, then, happens.

Self-publishing, a form of publishing, is a good option for writers who’d want to do the business of selling their books, as well- a writer-slash-businessman. Self-publishing is possible with no huge costs. Know the facts and not the misconceptions. With it, one may realize that self-publishing is for real. It is an option for first resort and not the least. There are facts that support the self-publishing gaining its regard.

BBC announced that the speedy increase in self-published books across the world has caused major publishing firms to restructure. It is because, a few years ago, self-publishing was viewed as the option of last resort for authors. But this attitude is changing dramatically. Self-publishing is going mainstream.
The 2012 ISBNs show nearly 60 percent more self-published books than in 2011. It also reveals that in 2012, self-published titles jumped to more than 391,000 over the year 2011. And E-books continue to gain on print, comprising 40 percent of the ISBNs over 2011.

Another is that, according to a source, in 2008, for the first time in history, more books were self-published than those published traditionally. In 2009, 76% of all books released were self-published, while publishing houses reduced the number of books they produced.
If it was thought of that self-publishing is for last resort and does not sell well, there are loads of respected authors who have gone self-publishing. It includes, Martin LutherWalt WhitmanEmily DickinsonNathaniel HawthorneJane Austen, and Derek Walcott. Even the contemporary writer, J.K. Rowling had her Harry Potter series sold through e-book versions.

With self-publishing gaining its esteem, it is safe to say that change is inevitable. Though, perceptions vary. But change may spring from open-mindedness and optimism. One may never know, trying out a different road is the way to the publishing dream. It could be the road that will alter your perspective.

Monday, September 15, 2014

Promoting A Book Through Hashtag in Twitter



Technology has dominated the world. With people adept to many technological advances and companies constantly, unceasingly producing technological breakthroughs every now and then, where does an aspiring self-published author comes in?

Getting along, keeping in touch, staying ‘in’ with what’s new, being updated – these are what self-published authors should do.

The social media has sported tremendous effects on the face of the world. People, even as they wake up or close their eyes late at night take selfies and post them on many social networking sites. Even the prince of Cambridge took one with a young lady. Twitter, being one of the leading social networking sites worldwide, has likewise played its role in this ‘addicting’ world of the internet.
The good thing is, Twitter does not only provide an avenue for you to express your thoughts or post your pictures; it is likewise one of the best and effective ways of book promotion. In this hi-tech world, even authors have to play in the addictive world of the internet through social media marketing.

If you are a Twitter newbie, you might get yourself confused with the hashtags all over the site. Hashtags in Twitter is a way for people to search tweets that are related to a certain topic. This is a perfect tool for authors as they can post business-related tweets to their accounts to draw in potential customers. With hashtags, people can search an author’s account thereby giving them a wide range of market. Furthermore, it does not only allow authors to identify and relate with customers, it helps them see what best appeals to his/ her potential readers as implied in their tweets.

Aside from these, an author can also check in his/ her competitors’ progress through looking at what’s trending or by looking up their accounts.

Pros the aforementioned things may be, but without proper technique and creativity, one might just lose the opportunity. One must be careful with what he or she tweets. Aside from the well-taken profile picture and contact information, an author should also tweet something with good content and intent. Though you may tweet for book promotion, you should see to it that you are not turning your account into a complete extension of your work place. Share photos, videos, articles, links, and casual experiences. Remember, people tend to get more attracted to those who display a sense of being ‘real people’. That is, people that have real personality.

Your tweets provide you an instant avenue to turn your followers to avid readers and loyal customers. Hashtags give you the luxury of getting your book searched, promoted, distributed and eventually get famous. Who knows, yours will be in the next top spot for what’s trending worldwide? Then, without notice, your book has already been one of the most in-demand books in the industry. Nobody’s keeping you from tweeting.

Monday, September 1, 2014

Guidelines in Achieving Effective Book Covers



Competition is inevitable. It is a non-negotiable fact that serves as grounds for distinction. To stand out is the key. It means going out of the way and undertaking unusual details to bring out the best. In this fashion, mediocrity is the enemy.

A book cover design goes along with the principle of distinction. Most people in the publishing industry believe that a cover is a book’s most powerful marketing tool. Judging a book by its cover applies in book publishing. Covers take a great deal on readers’ impression.

For authors to achieve an effective book cover design, here are some tips:

1. Do not show much of the character.

Better: Generate excitement.

If necessary, consider using a silhouette of the character or perhaps showing them in either small part or from behind. Enable readers to open and widen their imagination. Leave an element of mystery as to what the cover suggests. A really good book cover “talks” to its readers through choice of typography, imagery and metaphor.

2. Do not use over-thought typography.

Better: Use fonts and stock images carefully.

Over-thought typography is the main offender but using stock imagery can also destroy a book’s visual credibility. Fonts like Comic Sans or Papyrus are not advisable. These fonts are only acceptable if you are writing a humor book. Usually a cover should not use more than 2 fonts. Avoid the temptation to put words in caps, italics caps, outlined caps, etc.

3. Do not restrict the book’s imagery.

Better: Explore various graphic design elements.

Humans are visual creatures so give careful consideration to the book’s imagery. The design should draw and intrigue the readers.

4. Do not use cluttered and complicated covers.

Better: Be minimalist. Less is more.

Minimal style is timeless. It helps to focus on the book’s title and authors name. It shuns clichés. Also, the use of stock images is usually not the best way to tell potential readers what your book is about. Come up with a simple eye-catching idea that anyone will understand upon first sight.

6. Do not think like a writer.

Better: Nail your audience.

Think like a reader. Familiarize the book’s target audience. Make sure that the cover’s message will be conveyed clearly to the audience.

7. Do not entertain mediocrity.

Better: Seek assistance from a professional.

It is a fact that book covers are important in marketing. Do not pass up the chance of obtaining an arresting and compelling cover design. As a line goes, ‘two heads are better than one’.

In designing book covers, do not fail to remember that the output should call for distinction and excellence. Piles of books are waiting to be read just like yours. Do not miss out the opportunity of standing out. A quick glance on the cover should let readers feel something. Release that artistry in you.